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August 14 2017

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Salem described my life.

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John Anster Fitzgerald (English, 1823? - 1906). “The Intruder,” ca. 1865. Watercolor, bodycolor, graphite, and gum arabic, 15 1/8 x 11 ¾ in. Chazen Museum of Art, Madison, Wisconsin.

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Alessandri Lorenzo

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Death mask of Queen Louise of Prussia, neé Duchess of Mecklenburg-Strelitz (1776-1810)

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seymour chwast

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Sparaliżował mnie fakt, że nie miałem absolutnie powodu, żeby się poruszać w jakimkolwiek kierunku.
— Vonnegut
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from R. Kikuo Johnson’s Night Fisher

We must cease once and for all to describe the effects of power in negative terms; it ‘excludes’, it ‘represses’, it ‘censors’, it ‘abstracts’, it ‘masks’, it ‘conceals’. In fact, power produces, it produces reality; it produces domains of objects and rituals of truth. The individual and the knowledge that may be gained of him belong to this production.
— Michel Foucault, Discipline and Punish (via theneuralitch)
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Jan Brueghel the Elder (1568-1625), ‘Concert of Cats’, from “The Repository of Arts, Literature, Commerce, Manufactures, Fashions and Politics, London, 1817

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Two Followers of Cadmus devoured by a Dragon 1588 (detail)

Cornelis van Haarlem (1562 - 1638)

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Peter O'Toole and a cat

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Il vangelo secondo Matteo (1964) aka The Gospel According to St. Matthew

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À bout de souffle (1960)

Dir. Jean-Luc Godard / DP: Raoul Coutard

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Z Tobą mogę mówić swobodniej niż z kimkolwiek, bo nikt nie był przy mnie w ten sposób, jak Ty jesteś, z całą wiedzą o mnie, z taką świadomością, wbrew wszystkiemu, pomimo wszystko.
— Franz Kafka
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Najbardziej mi przeszkadzają w życiu łokcie i plecy. Chciałabym, żeby było więcej serca i rozumu.
— Gadające głowy (1980) , reż. Krzysztof Kieślowski
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