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September 11 2017

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Abandoned Victorian Style Greenhouse, Villa Maria, in northern Italy near Lake Como. Photo taken in 1985 by Friedhelm Thomas.(Source)

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Edward Hopper, Automat | 1927, olej, płótno, 71.4 x 91.4 cm
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August 14 2017

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Salem described my life.

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John Anster Fitzgerald (English, 1823? - 1906). “The Intruder,” ca. 1865. Watercolor, bodycolor, graphite, and gum arabic, 15 1/8 x 11 ¾ in. Chazen Museum of Art, Madison, Wisconsin.

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Alessandri Lorenzo

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Death mask of Queen Louise of Prussia, neé Duchess of Mecklenburg-Strelitz (1776-1810)

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seymour chwast

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Sparaliżował mnie fakt, że nie miałem absolutnie powodu, żeby się poruszać w jakimkolwiek kierunku.
— Vonnegut
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from R. Kikuo Johnson’s Night Fisher

We must cease once and for all to describe the effects of power in negative terms; it ‘excludes’, it ‘represses’, it ‘censors’, it ‘abstracts’, it ‘masks’, it ‘conceals’. In fact, power produces, it produces reality; it produces domains of objects and rituals of truth. The individual and the knowledge that may be gained of him belong to this production.
— Michel Foucault, Discipline and Punish (via theneuralitch)
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Jan Brueghel the Elder (1568-1625), ‘Concert of Cats’, from “The Repository of Arts, Literature, Commerce, Manufactures, Fashions and Politics, London, 1817

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